George Strait – Fool Hearted Memory

Picture background

Introduction:

“My Infinite Love” is a heartfelt ballad by American country music artist George Strait, featured as the closing track on his twenty-second studio album, Honkytonkville, released on June 10, 2003.

The song was co-written by songwriters Annette Grossberg, Byron Hill, and Billy Yates. Byron Hill, a seasoned songwriter, has a history of collaborating with George Strait, notably co-writing Strait’s first number one single, “Fool Hearted Memory,” in 1982.

“My Infinite Love” is distinguished by its tender lyrics and emotive melody, encapsulating a timeless message of unwavering devotion. The song’s arrangement complements Strait’s smooth vocals, featuring gentle instrumentation that underscores the sincerity of the lyrics. Critics have noted that the song mines familiar territory for Strait—the tender, devotional love song—but it’s the details that count, and the way the song resonates with listeners.

While “My Infinite Love” was not released as a single, it has garnered appreciation from fans and is often highlighted as a standout track on the Honkytonkville album. The album itself received positive reviews for its return to traditional honky-tonk themes and was certified platinum by the RIAA.

Over the years, “My Infinite Love” has found a special place in the hearts of listeners, particularly as a popular choice for wedding ceremonies and romantic occasions, reflecting its themes of enduring love and commitment.

George Strait’s ability to convey deep emotion through straightforward lyrics and authentic delivery is exemplified in “My Infinite Love,” contributing to his reputation as one of country music’s most cherished artists.

Video:

You Missed

THEY TOLD HIM TO SIT DOWN AND SHUT UP. HE STOOD UP AND SANG LOUDER. He wasn’t your typical polished Nashville star with a perfect smile. He was a former oil rig worker. A semi-pro football player. A man who knew the smell of crude oil and the taste of dust better than he knew a red carpet. When the towers fell on 9/11, while the rest of the world was in shock, Toby Keith got angry. He poured that rage onto paper in 20 minutes. He wrote a battle cry, not a lullaby. But the “gatekeepers” hated it. They called it too violent. Too aggressive. A famous news anchor even banned him from a national 4th of July special because his lyrics were “too strong” for polite society. They wanted him to tone it down. They wanted him to apologize for his anger. Toby looked them dead in the eye and said: “No.” He didn’t write it for the critics in their ivory towers. He wrote it for his father, a veteran who lost an eye serving his country. He wrote it for the boys and girls shipping out to foreign sands. When he unleashed “Courtesy of the Red, White and Blue,” it didn’t just top the charts—it exploded. It became the anthem of a wounded nation. The more the industry tried to silence him, the louder the people sang along. He spent his career being the “Big Dog Daddy,” the man who refused to back down. In a world of carefully curated public images, he was a sledgehammer of truth. He played for the troops in the most dangerous war zones when others were too scared to go. He left this world too soon, but he left us with one final lesson: Never apologize for who you are, and never, ever apologize for loving your country.