Elvis Presley – Please Don’t Stop Loving Me

Picture background

Introduction:

“Please Don’t Stop Loving Me” by Elvis Presley was recorded on May 13, 1965, as part of the soundtrack for the musical film Frankie and Johnny. Released in 1966, the song showcases Presley’s romantic vocal style and complements the film’s 19th-century riverboat setting, where Elvis plays a gambler. Written by Joy Byers, “Please Don’t Stop Loving Me” is a tender ballad that emphasizes themes of love and longing, aligning with the dramatic stakes and romantic tensions of the film’s storyline.

The recording sessions took place at Radio Recorders in Hollywood, California, where Presley worked with talented session musicians, including Scotty Moore on guitar and D.J. Fontana on drums, both of whom were long-time collaborators. The backing vocals by The Jordanaires and additional instrumental support, including brass and wind sections, create a warm, full sound typical of Presley’s mid-60s ballads.

“Please Don’t Stop Loving Me” gained attention for being the only single from the Frankie and Johnny soundtrack to achieve commercial success, peaking modestly on the charts. Though Presley’s movie soundtracks in this period were often criticized for their formulaic quality, songs like this one demonstrate his ability to deliver emotive performances despite the production challenges. The song remains popular among fans for its heartfelt lyrics and Elvis’s expressive delivery, encapsulating the romantic spirit of his film work during the 1960s.

Video:

Lyrics:

“Please Don’t Stop Loving Me”
(from “Frankie And Johnny” soundtrack)

Please don’t stop loving me
You were born just to be in my arms
In my arms
Please don’t stop loving me
Your lips were made just to be kissed by me
Kissed by meWhen I’m with you
I don’t know day from night, wrong from right
You are my world, that’s all I know
I love you so, I won’t let goPlease don’t stop loving me
Darling you’ll always be mine alone
Mine alone

You Missed

THEY TOLD HIM TO SIT DOWN AND SHUT UP. HE STOOD UP AND SANG LOUDER. He wasn’t your typical polished Nashville star with a perfect smile. He was a former oil rig worker. A semi-pro football player. A man who knew the smell of crude oil and the taste of dust better than he knew a red carpet. When the towers fell on 9/11, while the rest of the world was in shock, Toby Keith got angry. He poured that rage onto paper in 20 minutes. He wrote a battle cry, not a lullaby. But the “gatekeepers” hated it. They called it too violent. Too aggressive. A famous news anchor even banned him from a national 4th of July special because his lyrics were “too strong” for polite society. They wanted him to tone it down. They wanted him to apologize for his anger. Toby looked them dead in the eye and said: “No.” He didn’t write it for the critics in their ivory towers. He wrote it for his father, a veteran who lost an eye serving his country. He wrote it for the boys and girls shipping out to foreign sands. When he unleashed “Courtesy of the Red, White and Blue,” it didn’t just top the charts—it exploded. It became the anthem of a wounded nation. The more the industry tried to silence him, the louder the people sang along. He spent his career being the “Big Dog Daddy,” the man who refused to back down. In a world of carefully curated public images, he was a sledgehammer of truth. He played for the troops in the most dangerous war zones when others were too scared to go. He left this world too soon, but he left us with one final lesson: Never apologize for who you are, and never, ever apologize for loving your country.