Country

Country

The relationship between George Strait and the talented songwriter Dean Dillon is one of the most successful and enduring collaborations in country music history. Dean Dillon penned many of the hits that made Strait’s name, including his debut single, “Unwound.” The story of the song “Unwound” is also an interesting anecdote. Initially, Dillon intended to give the song to another artist, but it ultimately ended up with a then-unknown “young cowboy from Texas” named George Strait. The song became a major hit, paving the way for Strait’s legendary career. Dean Dillon once shared that George Strait “changed his life forever.” He said, “What a friendship, what a musical marriage. There are no words to express my deepest gratitude for the magical voice you brought to my music.” For his part, George Strait has always held absolute respect and admiration for Dillon. He once said of how Dillon presents his compositions: “The best way to hear a Dean Dillon song is when he plays it for you live. I love the way he sings. He puts so much emotion into these songs, and when he sings them to you, it really touches your heart. It’s very hard to turn him down, and I think he knows that.”

Introduction Isn’t it funny how a song from decades ago can feel like it was...

Country

Garth Brooks, one of the best-selling music artists of all time, has never hidden his admiration for George Strait. Brooks has shared that it was George Strait who inspired him to pursue a career in country music. A particularly moving moment was at Garth Brooks’ induction into the Country Music Hall of Fame. During the ceremony, George Strait took the stage and performed one of Brooks’ earliest hits, “Much Too Young (To Feel This Damn Old).” Witnessing his idol sing his own song, Garth Brooks was moved to tears. This is a clear testament to the immense influence of George Strait on the generations of artists who followed.

A Dream Realized: The Story of How George Strait Finally Sang the Garth Brooks Hit...

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Country

THEY TOLD HIM TO SIT DOWN AND SHUT UP. HE STOOD UP AND SANG LOUDER. He wasn’t your typical polished Nashville star with a perfect smile. He was a former oil rig worker. A semi-pro football player. A man who knew the smell of crude oil and the taste of dust better than he knew a red carpet. When the towers fell on 9/11, while the rest of the world was in shock, Toby Keith got angry. He poured that rage onto paper in 20 minutes. He wrote a battle cry, not a lullaby. But the “gatekeepers” hated it. They called it too violent. Too aggressive. A famous news anchor even banned him from a national 4th of July special because his lyrics were “too strong” for polite society. They wanted him to tone it down. They wanted him to apologize for his anger. Toby looked them dead in the eye and said: “No.” He didn’t write it for the critics in their ivory towers. He wrote it for his father, a veteran who lost an eye serving his country. He wrote it for the boys and girls shipping out to foreign sands. When he unleashed “Courtesy of the Red, White and Blue,” it didn’t just top the charts—it exploded. It became the anthem of a wounded nation. The more the industry tried to silence him, the louder the people sang along. He spent his career being the “Big Dog Daddy,” the man who refused to back down. In a world of carefully curated public images, he was a sledgehammer of truth. He played for the troops in the most dangerous war zones when others were too scared to go. He left this world too soon, but he left us with one final lesson: Never apologize for who you are, and never, ever apologize for loving your country.

Bee Gees

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Bee Gees

AT 52, STEVE GIBB WALKS INTO THE LIGHT — AND BEFORE A SINGLE NOTE IS HEARD, THE CROWD RISES IN SILENCE AND TEARS

The Osmonds

Dony Osmond’s heartfelt tribute at the Las Vegas Concert: A powerful moment of silence and humor