Country

I Love To Tell The Story – Alan Jackson

Picture background

Introduction:

“I Love to Tell the Story” is a cherished hymn that has been embraced by various artists over the years, including country music singer Alan Jackson. The hymn’s lyrics were penned by English evangelist Katherine Hankey in 1866 during a period of convalescence following a serious illness. Hankey’s profound devotion and desire to share the narrative of Jesus Christ inspired her to write a lengthy poem, from which this hymn was later adapted.

The music accompanying Hankey’s words was composed by William G. Fischer in 1869, enhancing the hymn’s appeal with a melody that complements its heartfelt message. Since its creation, “I Love to Tell the Story” has been featured in numerous hymnals and holds a special place in Christian worship services, celebrated for its emphasis on the joy and importance of sharing the gospel.

Alan Jackson, renowned for his contributions to country music, has a deep-rooted connection to gospel music, stemming from his upbringing in rural Georgia where he sang gospel songs. In 2006, he released the album “Precious Memories,” a collection of traditional hymns, as a tribute to his mother. This album includes his rendition of “I Love to Tell the Story,” reflecting his personal faith and musical heritage. Jackson’s straightforward and sincere interpretation resonated with audiences, contributing to the album’s commercial success and reaffirming the timeless relevance of these classic hymns.

“Precious Memories” achieved significant acclaim, reaching the top of the Billboard Top Country Albums chart and earning a place in the hearts of listeners who appreciated Jackson’s homage to gospel traditions. His rendition of “I Love to Tell the Story” stands out for its simplicity and heartfelt delivery, capturing the essence of the hymn’s original intent—to joyfully share the story of Jesus and His love.

Through his recording, Alan Jackson introduced “I Love to Tell the Story” to a broader audience, bridging the gap between country and gospel music and highlighting the enduring power of hymns in contemporary music culture.

Video:

https://youtu.be/OrCpKa_xOcE?si=yNS8sFEHtkfxWRv9
Post Views: 17

Related Post

Country

THEY TOLD HIM TO SIT DOWN AND SHUT UP. HE STOOD UP AND SANG LOUDER. He wasn’t your typical polished Nashville star with a perfect smile. He was a former oil rig worker. A semi-pro football player. A man who knew the smell of crude oil and the taste of dust better than he knew a red carpet. When the towers fell on 9/11, while the rest of the world was in shock, Toby Keith got angry. He poured that rage onto paper in 20 minutes. He wrote a battle cry, not a lullaby. But the “gatekeepers” hated it. They called it too violent. Too aggressive. A famous news anchor even banned him from a national 4th of July special because his lyrics were “too strong” for polite society. They wanted him to tone it down. They wanted him to apologize for his anger. Toby looked them dead in the eye and said: “No.” He didn’t write it for the critics in their ivory towers. He wrote it for his father, a veteran who lost an eye serving his country. He wrote it for the boys and girls shipping out to foreign sands. When he unleashed “Courtesy of the Red, White and Blue,” it didn’t just top the charts—it exploded. It became the anthem of a wounded nation. The more the industry tried to silence him, the louder the people sang along. He spent his career being the “Big Dog Daddy,” the man who refused to back down. In a world of carefully curated public images, he was a sledgehammer of truth. He played for the troops in the most dangerous war zones when others were too scared to go. He left this world too soon, but he left us with one final lesson: Never apologize for who you are, and never, ever apologize for loving your country.

Country

THE NIGHT TOBY KEITH TURNED A SONG INTO A SALUTE THAT SHOOK THE SOUL OF AMERICA. Under stadium lights that felt like stars over a quiet battlefield, Toby Keith stood firm at the mic, boots planted, voice gravel-strong and unflinching. As the opening chords rang out, the crowd didn’t just cheer — they rose, hands over hearts, eyes shining with memory. This wasn’t entertainment; it was testimony. Every lyric carried the weight of sacrifice, the ache of loss, and the stubborn pride of a nation that remembers its own. Flags waved, voices cracked, strangers locked arms, and for a few breathless minutes, America sang itself back together. Toby wasn’t performing a song — he was giving the country its voice, loud enough to honor the fallen, steady enough to carry the living, and timeless enough to be remembered long after the lights went dark.

Country

TODAY, FEBRUARY 5TH, MARKS TWO YEARS SINCE TOBY KEITH LEFT US — BUT HIS SONGS STILL STAND TALL Two years ago, country music lost more than a voice — it lost a presence that spoke for everyday people. Toby Keith carried the spirit of the working man, the pride of a patriot, and the honesty of a storyteller who never needed to pretend. Time has passed, but the songs haven’t faded. They still ride the highways, fill late-night bars, and live quietly in the memories of those who grew up with them. 🕊️ He may be gone, but the music keeps standing where he once did — strong, steady, and unmistakably his.

You Missed

Country

THEY TOLD HIM TO SIT DOWN AND SHUT UP. HE STOOD UP AND SANG LOUDER. He wasn’t your typical polished Nashville star with a perfect smile. He was a former oil rig worker. A semi-pro football player. A man who knew the smell of crude oil and the taste of dust better than he knew a red carpet. When the towers fell on 9/11, while the rest of the world was in shock, Toby Keith got angry. He poured that rage onto paper in 20 minutes. He wrote a battle cry, not a lullaby. But the “gatekeepers” hated it. They called it too violent. Too aggressive. A famous news anchor even banned him from a national 4th of July special because his lyrics were “too strong” for polite society. They wanted him to tone it down. They wanted him to apologize for his anger. Toby looked them dead in the eye and said: “No.” He didn’t write it for the critics in their ivory towers. He wrote it for his father, a veteran who lost an eye serving his country. He wrote it for the boys and girls shipping out to foreign sands. When he unleashed “Courtesy of the Red, White and Blue,” it didn’t just top the charts—it exploded. It became the anthem of a wounded nation. The more the industry tried to silence him, the louder the people sang along. He spent his career being the “Big Dog Daddy,” the man who refused to back down. In a world of carefully curated public images, he was a sledgehammer of truth. He played for the troops in the most dangerous war zones when others were too scared to go. He left this world too soon, but he left us with one final lesson: Never apologize for who you are, and never, ever apologize for loving your country.

Bee Gees

From Glittering Disco Dreams to Quiet Miami Evenings: A Rare Look Inside Barry Gibb’s Private 2025 World — The Last Bee Gee’s $140 Million Empire, Secluded Island Escapes, Priceless Cars, Unbreakable Family Ties, and a Life Shaped by Love, Loss, and a Legacy That Still Moves Millions

Bee Gees

AT 52, STEVE GIBB WALKS INTO THE LIGHT — AND BEFORE A SINGLE NOTE IS HEARD, THE CROWD RISES IN SILENCE AND TEARS

The Osmonds

Dony Osmond’s heartfelt tribute at the Las Vegas Concert: A powerful moment of silence and humor